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Musical exchanges and interaction in the Balkan area

Artistic coordination: Alexandros Mouzas





Ergon Ensemble continues its musical voyage around the key musical heritages, maintaining its focus on the people who draw both their inspiration and their sound world from tradition. This project focuses on the search of the common denominator underlying the spatial and temporal continuity of the „Balkans„, as well as the differences that term encompasses. The Balkan Peninsula is where several of the world’s cultural tectonic plates meet, and the area has always been a melting pot of ethnicities, languages and culture whose coexistence and conflicts have actually necessitated, rather than preventing, the sharing of information and experiences which created the multicultural mosaic we find today.
Interpreted here by contemporary composers employing the wealth of timbres and techniques available to them, tradition—which includes the concept of continuity—is rendered intriguingly multifaceted. Imbued with a range of emotions, their music’s non-European underpinnings, asymmetrical rhythms and peculiarities of melodic line and performance make for a challenging and fascinating musical experience.



Michalis Adamis (b. 1929 / Greece): Alliostrofa [Irregular patterns] (1986)
Thomas Simaku (b. 1958 / Albania): Réflexions de la Croix (2010)
Diona Rotaru (b. 1951 / Romania): Clocks (2007)
Kamran Ince (b. 1960 / Turkey): Dreamlines (2008)
Derek Bermel (γενν. 1967 / USA): Tied Shifts (2004)

The project was presented 
at Onassis Cultural Centre Athens
on the 13th October 2013

1h 20min (with intermission) 

Vassilis Tsiatsianis








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